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Showing posts with label King Klepto. Show all posts
Showing posts with label King Klepto. Show all posts

Saturday, April 6, 2013

Barrier Free Takes Young Hawk Down While Innocent Loses Their Innocence…



Greetings!

They came from Japan, assessed their competition, and had ‘No Mercy’ as they went to town on Young Hawk from the Bronx and Innocent Sound from Florida.  If King Klepto was in the Clash (they elected not to perform as Polly Famous is now with LP International), this Sound Clash would have come down to Barrier Free and King Klepto.

Drawing 1st, Innocent had a good opening round.  Their first chune from Cocoa Tea “Kill Ah Sound” was a good intro because of the chune being cut on the Hypocrite riddim, but the strength of the dub would have been better served in a later round.  Dapalee, stuck to the Kutchie riddim like glue and made a mis-step selecting Sizzla’s “Thank You Mama.”  At that point in the Clash, the chune didn’t fit.  


Exposing their youth, and ineffective ability to Clash at the 2nd tier level, Young Hawk, representing the Bronx, played their first round with HEAVY dubplates.  Critical error.  They played round 1 as if it were round end.  Drawing for murderous arsenal such as Buju Banton’s “Come Tess Mih Nah” and Bounty Killers “Ask Fih War” in round 1 was not a good look.  By the time they got to round 2, they were not able to hold the crowds’ attention nor maintain the level of showmanship from round 1.  Foolish. 

Barrier Free from Japan saw the set up, and decided they weren’t going to be drawn out by Young Hawk by playing heavy dubs in round 1.  Instead they drew for dubs from Beres Hammond on the Heavenless riddim and Luciano’s “The Lord is My Light.”  Moving like slow creeping Vodka, they finished with Cocoa Tea’s “Dem Ah Call Us Pirate” and had the crowd in the palm of their hands.  The audience even worked around the fact that these sound System Assassins were limited when speaking English.  The music did the talking. 

By the time round 2 came along, the titles became ‘Young Hawk Down,’ and ‘Innocent Sound is Fighting for Life.’  Notable points include Dapalee (Innocent Sound) playing quality Lindo P dubplates and his verbal aim at Barrier Free saying “Barrier Free yuh ah talk too much.  Ping pong and ying yong nuh make one!”  The crowd roared.  Dapalee then selected Beenie Man’s “War” and the crowd was silent.... 

Barrier Free turned on the jets.  Drawing for Protoje’s “Kingston Be Wise,” Mr. Vegas’s “Do You Know” and IOctane’s “L.O.V.E. Y.O.U.” translated to “D.O.N.E. Y.O.U” impressed the crowd to the point that by the time they dropped not 1, not 2, but 3 Jr. Gong dubs, they flattened Hickory House.  From that moment on, Barrier Free was in cruise control. 

Barrier Free easily won this Clash.  They didn’t get drawn out by Young Hawks foolery, and they weren’t entertaining Innocent’s innocence. 

Congratulations to Michael Moore Entertainment, Andrew Digital and 2-Lined Music Hut for staging a good Clash.  Honorebel mention goes to Radication Sound whose early warm was impressive as they drew for dubs from Gregory Isaacs, Lindo P and Blessed, and leveled fans with the “My Conversation” Dubplate.  Ka-Boom! 

As the only female on the bill, Angelina Montana demonstrated her fearlessness which I appreciate, however, it is clear she’s too war hungry, losing the respect she could have earned if she had selected according to her role and not selecting as if she’s in a Clash.  Not yet Angelina, but you will get there! 

Barrier Free at Fully Loaded 2010 >>> http://www.youtube.com/watch?v=AV4PqfiPFd8
 





Friday, April 5, 2013

You Might Need The Hypocrite ►►► Sound Clash Fundamentals!



This is Sound Clash! 

This blog is intended for the younger sound men / women who have aspirations to be in a Sound Clash.  Despite how it looks, Sound Clash is a sport that is played amongst friends / colleagues in an elite industry.  It is elite because the Sound Clash fraternity is made up of skilled teams who have mastered the art of oration, chune selection and the right riddim.  This is not easy, not to mention, you must Clash with respect for your opponent, respect for the music and respect for Sound Clash fans who have come to see you perform.

Your first round should always be singers.  Always.  Don’t let people who don’t know what they’re doing draw you out and put you on the wrong path.  Consider the singing round to be soup or salad before your main meal.  Older heads will draw for Luciano, Sanchez and Freddie McGregor.  Newer sounds may choose Gappy Ranks, Chronixx, Etana; the point is the singers are showcased.

Your next rounds will depend on the strength of your dub-box.  If you are a sound who has a few well cut dubs, enter a clash that features 6 sounds or more.  Your chances of survival are greater as the time you have to play is shorter i.e. each round will be about 15 minutes or 10 dubs.  Your focus should be survival as in getting to round 3.

If you’re in a Sound Clash with few sounds (as a new sound you don’t want to be in this scenario), your dub-box needs to be stronger as chances are you’re up against more elite sounds.  In this case, your second round will be approximately 30 minutes or 20 dubs and you’re dealing with the heart of the matter … killing a sound.  This is the round where you can go one of two ways.  If you have a good arsenal of combination dubs, this is a good time to use it.  If you have a strong box of DJ’s, then you’re unleashing Bounty Killer’s, Mavado’s, Vybz Kartels, Busy Signals etc. 

Round 3 places emphasis on selecting your target, aiming with a steady dub and speech, and going in for the kill.  At this point in time, speech on the mic is heavy as the mics-man / mics-woman and the selector are moving in unison and have coordinated their timing perfectly and like the movements of a Cartier timepiece.  For this, you have the crowd on your side.  

Dub for Dub!  This topic is controversial in the heat of the moment, but, after reasoning, it’s not controversial at all.  If you’re a sound who has won all of your rounds, there is no need for dub for dub.  You’ve won the Clash.  If each sound competing has won the same number of rounds, then a clear winner needs to be determined which is when dub for dub / chune fih chune comes in to play.  Don’t let people who don’t know what they’re doing draw you out and steal your win by inducing you into chune fih chune.  I’ve seen several people lose a Sound Clash they clearly won because of getting drawn out.  Don’t let this happen to you! 

Tonight (April 5th, 2013) in Toronto, King Klepto, Innocent Sound, Barrier Free and Young Hawk will be implementing all and more of what I just talked about above.  All sounds are in what I call the second tier.  They’re not on the Mighty Crown, David Rodigan, King Addies, Saxon Sound first tier level yet, but they’re getting there.  If you’re in Toronto, make sure you reach.   

*Note:  This is intended to be a very basic guide for entry level sounds wishing to compete effectively in a Sound Clash.  More depth on Sound Clash will be shared leading up to World Clash hosted by Irish and Chin in Jamaica in October, 2013.
 
For your listening pleasure, a classic dubplate from Frankie Paul on the Hypocrite Riddim.  Run chune >>>